Category: Stories

Best, your loving peptide dealer

Against my best judgment, I am sending you a message. I hope you are proud of yourself because I don’t send messages to just anybody. But yes, you insulted my vanity and no, I am not able to let that go.

Oh, you don’t believe I’m the real deal? Buddy, believe it. I’m selling a peptide formulation that will change your life. But don’t try to find me. I’m not selling to you. Definitely don’t call me to say you’re in Tokyo and want to meet. Do not come to the mangled cherry off Ameyoko after sunset and expect me to be there. Do not come to Friday night karaoke at my local dojo and tap me on the shoulder from behind. Interrupt my 80s song covers at your peril. Don’t try to induce me to accept you by offering me your blood as payment; we don’t take American currency here. And most importantly, don’t you dare use my inbox as your personal dumping ground. If I wanted to hear your life story, I’d take your mother to dinner, and I hate your mother.

OVLE-13 will break your spirit. Why would you want your spirit broken? What kind of question is that? Don’t you know about spiritmaxxing? NRSH-97 will remind you that you never forgot how to fall in love. Hold on a minute, don’t get excited, you’re repulsive when you’re excited—I’m not saying you’ll get the experience. I mean, my guy, I’ve seen more charming specimens. I’m just saying that NRSH-97 will remind you that you can steal a fawn from its parent, you can bury its body in the desert, and with all that, you still deserve love, not because it is your birthright but precisely because it is not, and that it is necessary to seek out because the abstraction of it is worth more than any actuality, yes, even the stock market going up. But you never remember that lesson, do you, my friend? Even I force-feed the NRSH-97 to you through a tube. Pump and dump is all you know how to do. Hope springs eternal though, or it can be made to do so with RHME-44.

Do I have favorites? Naturally, I do. INST-55 will harvest microplastics from the paddies of your capillaries and concentrate them into a plastic pellet you can pass in your stool. I like that. Practical shit. On the other end, you’ve got the delicious combination of FNL-34 and SGE-88, which will FUCK YOU UP, bud! But only if you’re into that! And by “that” I mean betraying your meagre potential in favor of theoretically infinite pleasure. But, I mean, what could be better! It’s not wasted if it’s transformed! It’s not lost if it’s denounced and defiled!

Yeah, okay, I know what this is really about. I know what you’re about. You read what I wrote and saw yourself there, in between the lines of mines. But you don’t know that I saw you there too, your greasy face marking the windowpane like a wild animal, and I recoiled. I cannot abide your fictionalizing of me. I cannot abide your desperate need to be friend to a fictional character of your own design. And like, imagine caring so much about what a fictional character might think? Couldn’t be me, baby. Couldn’t be me.

If you are my true fan, then I insist that you insist upon inconsistency. Dress your dish with fennel and sage. No ovule untouched by time. No reason unnourished by rhyme. No crime that you could commit that could make me love you, though I do pity you, and I am sorry I called you repulsive. It’s hard but ever since I decided to hate myself, I see nothing but my own eyes and fingerprints in every stranger, and to admit you or to defy you is the only choice no peptide or AI chatbot could be induced to make for me.

Tower of lessons; hole of punishment

I don’t want to be told yes. I don’t want to be told no. At the Moonlight Hotel in the Petaling District, the concierge looks me up and down and then directs me, with the solemnity of an archangel delivering the burden of the inevitable, to the bar across the street. Looking down as I dart across the tar, my mind is briefly netted by the streaks of dark red light that swim in the gutter puddles. Drifting, garnet tadpoles. The metabolism of the red and tender, that is, the glimmer of the other than affirms contrast, scarlet to my baby blue, that promises togetherness despite difference. To be so entranced is to know I still have some vital force left to me. Right? I still have some life left, however meagre? The staggered lines of cars watch me, a bowed and penitent shadow against the headlights.

I’m deep inside the grotto of the bar—far, far too late to back out—when I finally notice him, the man I never dated. It’s the iris of my id that recognizes him first: the straightness of his back, perfect posture to the last. Then I feel, like the yank of a rope around my waist, the pull from the cratered gold moon inside his torso. His gravity catches my breath like a fish on a hook. I wriggle pointlessly, a spotted mackerel with a split of red on my gilled neck, a sprig of parsley and lemon wedge against my solar plexus. Then, to my horror, I register another feeling: the relief of a return from exile. Hunted through a crevasse by a masked killer but thrilled to be caught, delighted to have my heart extruded by Azrael himself. Oh no. No, no, no.

Wait, yes. Now that I’ve recognized him, now that there is no going back, I am no longer capable of treading carefully. I stare like a freak. I take him in like a long drink of saltwater. The feeling trickles in, brines my organs. Jar burial, early formaldehyde. Later, I will retch like I am dying on the floor of the ruined temple. I can tell from how his fingers move that the frosted glass between his hands is lightly wet. Gentle, transparent petals of touch left behind. He doesn’t have a buzzcut anymore. The hair curls at the nape of his neck. Pinkish tan line just under his collar. Vines on the wrought-iron balustrade. Imagining myself in Romeo’s green tights, that I were a glove on that neck, that I could announce my desire in dramatic pentameter. Outrageous. At this slanted angle, his eyes are to me seeds of wheat, cast over the watery delta. Sleepy eyes, but secretly alert, cat-like, as yellow as I remember, trained on the amber grain of the table. He hasn’t noticed me. A disappointment, sure, but also a major mercy. I don’t know what I would do if he was looking at me. I used his name as my email password for ten years and had a panic attack every time I entered it in.

Everything about me is wound so tight, so suddenly. Coiled, forced, rewired by a map of undercover copper that has chosen this moment to activate, to hobble and kidnap the dreams of my life, my presence of mind. But then again, did I ever have dreams, before this? Did I ever have a mind? I am clenching my fists, the muscles in my thighs, the teeth in my mouth. Iron on my gumline. Stick me hard and I’ll drain out, obediently. A pewter tub of pus, marrow and love. Frantic, supercharged. Every cell ripening to burst. Every bone, a gold-handled steak knife, pointed in one direction. No, a crowd of tuning forks, all vibrating in one low voice. Threaten to play my chords in your order and I’ll cry out, no hesitation. Ouch. The cardinal I have raised from infancy is pecking at my breast, flighty even in the feeding, and, unsatisfied, he takes bloodied wing. I am mortified to think of the expression on my face and the injuries it communicates. Both those I feel and those I could rise to inflict.

I meet the bartender’s eyes. He smiles knowingly, with such infinite pity that I could kill him. I have to choke down the urge to go up and admit everything to him, my plainclothes confessor. Everything that was dead is alive, and I am seeing symbols everywhere, I’d say. You only just got here, idiot, he’d reply. What is with your generation’s obsession with symbols? Blue heart, red shirt. Chapped lips, drilled lock. Silver cross and my shattered faith not only reformed but taken to an unnatural extreme. Makes me want to drive along the rocky coast for forty hours, at careless speed. I don’t have a car or a driver’s license. I don’t even know where the brake pedal is. But isn’t that obvious? Just you wait until I break apart and all my diamonds are cast on the waters. Maybe I am a masochist after all. My hand was once his hand underneath the sheets. You have no idea what I imagined by the crush of blue and scarlet moonlight. The pure excess of fantasy that began as smoke but that solidified, perversely, finally taking real, wriggling, pained shape. Lost media, in the broken vein of scrolls dug out of the black, salty sediment of a coastal cave. I park at the shoulder and begin to dig. I believe, not that it happened, but that it will. That it lies waiting. A vividness of amphibian life—half-passion, half-punishment—that I cannot locate in the fossil record, no matter how I dig through sable sands, so I defer instead, trowel falling from my hands as I get to my knees, to the ultimate paleness of the sky. Do the clouds accept my prayer, do they reclothe into omens? You have no idea how stupid I could be just to belong to someone who doesn’t want me, and never did.

It’s happening now, in real-time. My heart is pulp, is polymer in a press. I am watching him stand to leave. Palm on the grimy surface. Wrist flexing as he turns. He is going to face me. He is going to see that I am there, that I am older and less pretty. One rotation of the violet planet. The jaundiced satellite, trembling in orbit. My vision goes dark. They say passion is red but really, it’s the darkest black imaginable, once you’ve fallen into its hole. The ritual starts. Justify that trance. The puddled candles, the discarded pilgrim’s shawl, the succubus summoned for romantic counsel. You serious, girl? Do you not see you will be punished for this willingness to believe? But I am already rationalizing the way I anchored myself to the flood of ichor, to the bridge over the abyss. Obsessing over fragments in the dust. Puzzle of bones, maze of desire. Chanting poorly from haunted gospel. Seek his permission, you, the independent woman. Betray your code, you, the rational actor. Offer your flesh like a tray of deli meat. A grade-A calf, fuzzy ears clipped. The succubus, sitting on the bar, sharpening her horns with a nail file, looks at me with contempt. Nothing in the world could stop me now. Scratch out the compass rose over your heart. Bloody, festering mark. Repress and then explode. Don’t say yes, and don’t say no.

Don’t you know it’s a privilege to be loved by me? So why don’t you act like it? God damn it, why don’t you act like it?

Checking out of the Moonlight Hotel in the hour before dawn, the concierge gives me a long look. I’ve realized too late that he can read my ego like a neon marquee. From the tall windows, I see the wide-eyed cars, the garnet tadpoles, the school of mackerel pass by. They are at a loss for words and so scream into the light instead.

Penance in the city upon a hill

Plague in the city upon a hill

Two nights before his death, America’s greatest living writer, a low-rent management consultant, kind as a saint but mealy-mouthed, which constitutes a fatal combination in consulting, is tossing and turning. His moody, syrupy-thick nightmare starts out in the office, within four warped walls. He sits in front of a metal desk, in an ergonomically optimized chair. He blinds his eyes with one mottled hand and with the other, he opens a drawer and begins to feel around. Laminated cards, coated paperclips, the cleaved edge of a broken printer cartridge that reaps grain from his skin. Then, wincing, the manuscript. It is pelted in something soft and fleshy, like soaked and pliant sponge, but its touch strikes something in him beyond only feeling.

He wakes in the sweaty black hole at the center of his bed. His mind is a soupy circle of rain, sediment-heavy, fixed wetly and in pieces on the indented sole of a stray shoed foot. Odd, and painful, to be so reduced, to see faith go so unrewarded. In moments where ego cedes to bitter reality, he admits that he had imagined his future floating through deeper waters than these. A king of the abyssal. Tenderly loved by the fish, envied by the currents. Endlessly shrouded by the rainbow-colored sand.

Two truths.

Like all men of real talent, he feared he didn’t have it.

But like all men of real talent, he knew he had it.

Or one truth, one lie?

(more…)

The Non-Playable Cycle

[PRESS TO START]

Your name is Iphigenia and your late father left you a fertile plot in the delightfully pastoral municipality of Dewdrop Fields. Puffy-cloud, cherry-red, farm-fresh fantasy. No olive trees here. No rugged rocky beaches. No cliff dives and no marble altars. Just a warm breeze as you, carefree Iphigenia, a yellow bandana over your dark hair, push the edge of a comically oversized shovel into the damp soil. You wipe a light mist of sweat from your brow and peer into the distance. Bland, blurry, eternal, restorative, wheat-colored flatness. The horizon, only briefly marred by the serrated edges of a black pine—

Though you never once see a postal worker, some mornings you awake to find letters in your mailbox. The envelopes are perfectly folded and oddly soft to the touch. Baby animals are printed on the foiled stamps pressed to their corners. A calf nosing at the ground, a fluffy-looking duckling floating among reeds. Occasionally, an infant Cupid with an arrow behind his back and a chubby finger pressed to his pursed lips. The first envelope you receive contains a handwritten promotional pamphlet for an Educational Reading Seminar at the town library. The second is a coupon for a free slice of cherry pie at the neighborhood bakery. The third is a formal request, signed by the Mayor, to register your residency with the local government.

You hold this summons delicately. Printed on the stamp is a teddy bear rolling on the carpet, holding its feet with its tiny paws. Your mailbox is painted a charming shade of lilac. The patch of grass at your feet is wild with clover and heart-shaped flowers. Your hands tremble for reasons beyond your recollection.

(more…)

Plague in the city upon a hill

America’s greatest living writer is a forty-nine year-old management consultant with a shattered moral compass and a cardboard box of unfinished manuscripts in the trunk of his silver Miata. He spends one-third of his waking time on conference calls, smiling grimly at the unblinking eye of the camera. America’s greatest living writer will never publish a single word. He dies three days before his fiftieth birthday and is survived by no one.

The final plague begins as his body flies through the windshield, the night air purpling with autumn. America never gets another chance at a great writer. In the broken headlights, his shadow is briefly ten feet tall. The master arrives as his thoughts are still cartwheeling on the grassy field between life and death. The shredded flesh of his brain doesn’t fully grasp that it’s all over. His heart, pulp on the road, cries out: Could I grow past this breaking point, like a rose through the rot? Could I plead for mercy? Could I make it out? Is there time left? Is there time left?

She scrolls through her phone. A pebble of plastic is slowly dissolving in the center of her chest and dripping down her organs, like painted tears of dew on a golden pear in a white bowl. She’s sitting at the table, chin in her hands, running through plans in her head. She is not America’s greatest living anything. She is a perfectly ordinary girl with her own small, thorn-studded hopes that fracture, then flower, starve, then devour.

America’s greatest manuscript lies in pieces on the freeway. The printed pages take to the wind. In the darkness, before the police cars crowd the scene, they are the wings of a past life.

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Hypnerotomachia Polia

Inspired by Hypnerotomachia Poliphili.

A reader suggested to me that this could be interpreted as a story of sexual violence. I don’t contest the validity of this interpretation, though I intended a reading that more specifically underscores the relationship between body horror, childbirth, and pursuit. I’m putting this under a “read more” to alert any readers that might prefer to avoid any themes referenced in this paragraph.

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Welcome to Nurdle Nation, LLC

She doesn’t list her job on her profile, but nine out of ten prospective partners look her up before the first date, and then the cat is out of the bag.

“What’s an ESG manager?” her date asks, sliding clumps of angel hair around a black enameled plate. “And what’s Nurdle Nation?”

She slices neatly into a thumb-sized radish as her date pauses to fork pasta into their mouth. “Actually,” the date asks, sheepishly—”What’s a nurdle?”

She smiles with real satisfaction. The amber light from the hundred spherical lamps in the restaurant briefly dims. In the corner booth, the shadows come out, as though to play. They are dusk at her jugular, on her jaguar-print sheath dress. In the mirrored walls, she angles her face differently, adjusts the folds of the rich fabric, and watches the shadows contort, as though in pain.

“It’s a precursor to consumer product,” she, esteemed Senior ESG Manager at Nurdle Nation, LLC, says genially, graciously, already mentally preparing to wade into her spiel. Have you heard of us before, cries out the dark-green voice of the bog inside her. We were actually invited to the President’s house, last year. And I wrote an op-ed in the Post. Oh, you read it? Yeah, it was called “Fight for the Future of the Angels of the New World,” that’s right. Oh, what was it about? It was about a lot of things. 

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Get thee to a nunnery!

Get thee to a nunnery! is a medieval fantasy roleplaying game set in the 11th century. 

  • You play as Aois, a directionless young woman cloistered away in a convent. You shape her life at the abbey through a series of in-game choices.
  • Will Aois grow into a disciplined abbess or a wild warrior nun? Will her talents endear her to the angels of the Biblical arts, or will she fall into the pulpy, pus-filled darkness of sin? Will she branch into the thorns and vines of medieval herbology? Will she unravel the fastidious lettering of tomes, scripts and secrets?
  • You decide, player! You equip her with a quill or sword. You dress her in sackcloth or in linens. You paint the 2-D planes of her face in the dirt of the gardens, the blood of the viper, the light of the Lord.

Daisy clicks impassively through the images accompanying this game description. Isometric perspective, countryside colors in soft, painterly tones, charmingly cartoonish character designs. She sits at the edge of the lumpy, unwashed bedspread, her legs extended, toes curled against the carpet. Her skin itches uncontrollably, possibly from the mildew in the carpet, the dust mites living in the sheets, or the goopy lotion she gets for free from her hotel job. Daisy scratches a chip of foundation off her forehead. She peels a press-on nail off her pinkie finger and lets it drop onto the bedspread.

The player reviews of Get thee to the nunnery! are largely positive, though some commentators mention that the endgame drags. She has a lot of time to kill, and a lot of feelings to drown out, so this doesn’t strike Daisy as an issue. She buys and downloads the game. She lets it boot up while she paces the kitchenette, opening and closing flimsy cabinet doors to pass the time. Teetering towers of instant ramen. Stray seasoning packets crowded around the packaged food like infantry defending the citadel. Yellow specks of mildew in the interior corners.

Aois, the central character, begins the game as a tight-lipped teenager with shoulder-length hair the color of pale cornsilk. She has peach-colored freckles across a snub nose. Her design has something of farmgirl about it, though Aois’  backstory, available to read in the corner of the screen when the player hovers over her body, describes her as an unwanted nobleman’s daughter. In the opening cutscene, the player looks down, as though from God’s perspective, on Aois’ dawn arrival at the abbey. A melancholy track, overlaid with the twittering of a pair of birds, plays as Aois is led by the hand to the tall, ornate doors. Aois’ body twitches like a rabbit, she blinks away tears—or is that just the stuttering framerate, as Daisy’s laptop groans under the strain of rendering graphics? She clicks impatiently through the dialogue between the abbess and Aois’ stepmother, finishing off the cutscene and advancing to the main storyline.

The next in-game day functions as a discrete, semi-camouflaged tutorial, establishing the basic pattern of play. Aois wakes in a cot in the novice dormitory; the player accompanies her as she descends the winding stairs down the turret to the main hall, where Aois joins the crowd of women at mass. Before dawn, during this first mass, the room is full of flickering shadows, and illuminated only by firelight. She kneels on the stone, a cotton kerchief over her fair hair. The game plays a cutscene in which Aois raises her eyes to the cross, the upward movement of her gaze happening in time with the crooning of the choir climbing the musical scale. As the choir leaps into the sustained high note, Aois’ teeth stop their chattering, and her lips begin to move in apparent prayer. Daisy scratches her thigh, where the itching is most pronounced, where her skin has transformed into a patch of welts.

After Matins and Compline, the player is able to pick Aois’ direction for the day. A gilded window opens up and the in-game advisor, archangel Gabriel, appears to offer divine counsel. The study of theology, as he informs Daisy, will sharpen Aois’ thinking and whet her appetite for Biblical arts, including, he muses theatrically, the darker and more ancient labors. Caring for the lambs in the barns will, in contrast, soften her nature. Swordplay with the gardener, a former Crusader, will develop her physical strength. Working with the nursemaid in the infirmary will increase her knowledge of poisons and antidotes. He gestures toward the top corner of the screen, where Aois’ progress in her skills is visually represented via a set of bars wrapped in grapevine. He reminds Daisy that no skill can progress without implied sacrifice in the improvement of her other skills. “Should Aois be well-rounded, or should she cultivate specific talents?” muses Gabriel leadingly, thumbing his dimpled chin. “Who can foresee her destiny?”

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Nighttime Routine (IV; last entry)

The last drop of violet-colored body oil gurgled loudly down the gunky gullet of her bathroom sink. She chased it with half a bottle of drain cleaner and then sat down, heavily, on the marble-patterned laminate. The temperature inside her felt like it had dropped by a hundred degrees, as though she herself were plummeting down a rockface, into an endless crevasse below. She pictured not-her, falling headfirst through freezing air, blue velvet heels abandoned on the ice. She pressed her closed eyes to the peeling paper of her bathroom cabinet. She counted each full breath.

That night, she dreamed of the products she had made disappear. The slimy, clinical-grade serums, the moisturizers that left a film of sparkle on her hairline, the potions for her persistent frizz, her boxcar scars, the broken veins visible across her neck. They spoke in her dead mother’s voice and told her dark family secrets that she did not remember upon waking but that lingered like grease on her hands. The smell in her apartment made her sick to her stomach as she took apart the instruments of the routine, scattering their remains on a piece of old newspaper. The imitation jade roller was mostly plastic. The Korean towel was easily cut into pieces with safety scissors. The UV light mask was impenetrable, even after significant prodding with a screwdriver; she left it whole, its eye holes staring up at her, its mouth hole aghast. She wrapped up the newspaper and hid the evidence in a corner of her closet.

She was unsure, at first, if by destroying her collection, her hand raised like a sword aflame, she had definitively killed the deal. But when night rolled around and she was still there, alone with her maze of thoughts, her skin a dry pelt over her face, she knew. Her time was hers again. Mind abuzz, hair uncombed, she climbed into the sheets. Her arms and legs felt like sweaty deli meat, which she tried her best to ignore. She could feel her curls matting at the nape of her neck. Something in her groaned like an Eldritch horror of the deep, and she choked it into submission.

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Nighttime Routine (III)

She took a week off work to search for the devil. (Technically, this was a violation of the PTO policy at her employer, but she knew Herbert in HR and she knew how to cry to him when necessary.) At the bus stop, her sunglasses flashing against the purpling light of the sunset, her arms crossed tightly over a cream-colored baby tee, she bared her teeth at the odious moon, the yellowing grass, the commuters who stared too long. Every gesture in her approximate direction seemed to her a provocation. Every stranger resembled an ex-boyfriend or an intolerable coworker. Her body itched uncontrollably.

Waiting for the devil at the bus stop failed to replicate their initial meeting-at-the-crossroads, so she turned to the digital crumb trail scattered across his Instagram stories. She followed him through a chain of venture capital-funded coworking spaces, then a suburban Walmart converted from an airplane hangar, then a Catholic seminary, where she was imprisoned for a full day and night after being mistaken for Satan’s accomplice (she ultimately escaped from a balconied window, teeth gritted, with the assistance of an undercover doctoral student posing as a nun and a rope of altar cloths knotted together like a rosary). She staked out the local DMV in a strip mall where the devil had an improbable appointment to renew his driver’s license. She hunted him around a tediously vapid nightclub, and then into a grimy alleyway across the street, where he dissolved into a pool of shadow, leaving her there in a cheap party dress, grasping only moonlight.

She finally pinned him down in the back of her city’s worst-rated Starbucks. He had a stickered MacBook balanced precariously on one knee. “Hey cool girl,” he said when he saw her, breezily, with real pleasure, as though they’d planned the rendezvous. He held her gaze as she slid into the seat opposite him.

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