Intent but not intention / 合宿 / 顔色

Give me a little more credit. Big clouds, wave skimming with easy light. You don’t let me finish my thought. You don’t let me process the feeling.

Telling Alvin I’m trying. Feeling lost. Streaks on my calves from the knee-high grass, pebbles under my nails from the charcoal in the sand. Flashlights, dark sides, crossing the road to the wettish purple against the rocky cliffside. Performing for an audience and selling it, until I don’t. Choosing you, over and over, until you won’t. Soaked through my shirt, in different formulations.

Crying on the train, because I’m happy. Fluid blisters on both big toes, under the skin. Sorting through a bag of fireworks on the front steps. Laughing out loud as they explode, briefly explore the columns, and then die. Overexerted, overtested blades of light, their spluttering waking up the shades of heaven. Four meals, cold-hearted. Can’t find a balance. Don’t want one. Pale, sparse cornflower blue from the windows, and there it is, dreamless, seamless, already living in the mourning. Sorry, but I insist on having a life. Sorry, but this is enough. Sorry, but this is what I want. However ruinous. However overdetermined.

Hard to write anything but fragments, these days. The bigger the feeling, the sharper, the smaller the shard. Digging painfully into my body when you put out your left hand and I don’t take it. Or did I imagine that? How much have I imagined out of the convenience of desire? Only the torched rings in the sand know.

Ears ringing when the master approaches. He looks into my face and I am not sure what he sees. Sit down, he says, which I guess answers that question. Later, Alvin finds me.

Mixed message

He starts talking, agape and eros and I think, oh no, he knows. Nacre heart on my neck.

Never were, never weren’t. The issue is, activism is embarrassing. The issue is, you save lives by inventing fertilizer. With your yellow-tinged and square-shaped glasses, your physical abuse of your wife. I can’t watch this happen, but I can live it. I can bear to have you stare at my breasts at the beach, in the cold rain.

I couldn’t have been more vulnerable if I had said I love you. Are you interested in my point of view? Are you or aren’t you? Garbage in, garbage out, and you and I, in the middle of the chute, with our mouths open. Agape, even. The frame, the painting. How can this sunscreen have probiotics in it?

Ask for more or nothing

AI-generated poetry is preferable to human-written poetry? Oh, we are actually done for. The authors describe the reason in the results: The AI poems are more accessible.

My house is full of cowards and I can’t stand it. Your only crime is working hard for your family and I hate you. You are boring and your mind is the deadest thing I have ever experienced. Soggy-eyed roadkill could be no deader.

These roads are filled with animals and I see the confusion in their eyes. Your only sin is trying to look up my skirt and I love you. I’m convinced your mind must harbor something of interest. The fault lies in me for not finding it.

Access, enter, probe. Crossing a threshold. It’s deeper than we realize. Meatgrinder is the operative term.

Enter here / 入る

Pylon, python. Ready with a wet rag. An impression of me, between sheets, humidly, on glass. My desire is to write the book on you—poised, perfect, candlelit—while you struggle, at my feet, to scratch the surface of my smile. My desire is to be cool, inaccessible, while you flounder, vulnerable, plundered. Imagine my shock when you put your paws on my lap and transform; the ice of my arrogance shattering under the diamond of your total understanding of me.

Yes, this, all along.

Hand me over to the force, pat me down gently. A kiss between the eyes. Palm me off to a man who will not dare to love me. Scratchy trumpet sound as two typhoons make impossible contact. Defy tradition but more than that, defy categories. Single me out. Watch me leave. Sit on the train and think of my brutality. Small-scale, accruing until it explodes in a profusion of petals. In a fictional city, you hold my hand as I hop the fence, as we cross a border.

Shit, what now? What then?

The barricade

False, that I walk through a gray Tokyo evening, arms out like a windswept umbrella, crying to Jeff Buckley. False, that I have fallen in love. False, that my abs won’t show, no matter how long I plank on the ribbed mat. False, that I choked on a mackerel bone. Fickleness that knows few bounds.

I reread my writing and wonder how I got so angry. These feelings don’t fit comfortably against such a soft, impressionable heart. These feelings compress me into arrest. I keep throwing my body against the barricade and refusing to flinch.

I need to say that I hate nature and I love cityscapes. I love neon ripples reflected on glass. I love knitted telephone wires. I love concrete heaving hotly in the sun. I love greenery only when it grows, panting and emaciated, out of the tar. I’m mad because no one will ever love me like Michael Mann loves the American city. Through close reading, with passionate understanding. Some men get one half but rarely a second.

Ref, do something!

The rain falls apart on us when you see me differently though I have not changed. I don’t understand why my feelings aren’t a pillar inside me. They reshuffle for a joke, disintegrate. They do everything but stay the same. How can they change so much? And so quickly? Dealing thunder, dealing red and blue. Bushel of nectarines, capsizing.

I write and post this too quickly because it scares me.

Ares and Aphrodite (April and August)

Awkward, to be developing an affection for Alvin that is not romantic nor absolutely platonic, and as a result feels abjectly transgressive. But, by God, defer your judgment of me for just one moment. Let me plead my case. Remove the cuffs from my wrists and drag me, on bloodied and knobby knees, in front of the pigs at the trough. In the long rectangle of the shaky spotlight, I say: Please, it isn’t my fault that there isn’t a good name for a relationship with a man twice my age with whom I can barely say I share a language. There isn’t a good way to say the truth, which is that when he moves, I see something inside the movement. I see something inside, represented.

I cut my hand and he loosens his grip. He twists his hip and I tighten my grip.

Awkward, to be developing an attraction to Alvin that is not sexual but not solely intellectual, and as a result feels impossible to understand. I can track him around a room without looking, so there is, at minimum, some level of physical magnetism. For what reason, by what instrument, by whose hand have I been pulled into this orbit? Viola, or wrench? Virgin, or wretch? Long is the shiver of the satellite existing in the exhale of the unknown. Relationship like ritual, community like circle. For the first time, I believe in past lives, in tiny cogs of fate that rise and fall in the vast mechanism. Floor-to-ceiling curtains billowing in the breeze, hiding half a crying face.

Okay, Emma. Okay. Keep it light. Don’t make this heavy.

I don’t have a template for nonsexual mentorship from a man to a woman. Not my father, not my husband. Not friendship, not entirely designed as a relationship of equals. That’s what trust is; relinquishing the upper hand, graciously. That’s what trust is; knowing it go either way, and not needing faith or transaction. In a world where we all have a valuation, he reminds me I am worth nothing but a handful of aniseed. In a place ruled by the petty simplicity of give-and-take, he has never asked for anything from me.

Awkward, to be developing an attachment to Alvin that is already fated to end, and not necessarily well. Awkward, to be so fearful of overstepping, but more fearful still of being forgotten. It’s just, only with Alvin do I feel understood. Maybe it’s all in my head, but it is only with him that I do not feel alone. And yet, all this must coexist with the evolving laws in the distance, beyond the train doors, in the lathe of lightning. Okay, I know already. I know that I will lose him to the crowd. Put the cuffs back on me and drag me back into the dark. A stripe of red on the concrete, I do not protest. Just grant my only request. In the time left, let me do what little I can. Standing manfully by the mirrors of the lighthouse, let me protect him with all that I have.

Beach girl

I spend two weeks at the beach and in that time my lifelong suspicion towards the water tightens into a ball of wiry dislike. Gummy in my mouth, spat onto the cement. Yes, the ocean is like a metal plate, like my grandmother’s left eye, like a bubble bath. Yes, the ocean is like a washing machine, like darkest romance, like a parking lot reflected back. A typically ugly girl, I despise its effortless beauty with all my might. I cling to the surfboard, saltwater gurgling powerfully around my feet and legs. I appeal, a little panicked, to Poseidon’s better nature. A typically insecure girl, my immediate reaction to danger is to placate the aggressor. I say: This is unnecessary. To destroy me, you only need to grow old with me. The waves meet me where I am and respond, cheerfully, with all the straightforwardness of the truly self-assured: Never. This is a place you do not belong. This is not a place where you will be wanted and loved. Come out further than waist deep and see.

I meet a man in a hotel lobby and within an hour, he is telling me things I don’t think even his wife knows. I sit and blink empathetically. You might think this is some sort of layered feminist statement but it isn’t, I have always understood this role and I play it with equal gusto for both men and women, but it’s mostly men that really need it. I’m convinced that the rabid dogs on the beach are angels fallen from heaven. They race into the embrace of the waves and defecate onto the warm sand. They open their mouths and because no blessings come out, they must bite instead, but I know it is all a misunderstanding. I just have that kind of face, the kind you want to say things to. I know it when I see the foamy, omen-studded fangs. For a scintillating, shit-stained second, I am ready to let the world go in a flood of blood.

Facing this, I think, unoriginally: It doesn’t matter and it never mattered. It doesn’t matter how pretty you are, how quick-witted. It doesn’t matter how many men you comforted from across the table. It doesn’t matter how many times you told a lie, how many times you hurt a child, how many times you chose right, whether deliberately or inadvertently. It is only the teeth and then the water that will decide the life you have left. For this alone, I have sworn to always hate seventy percent of the Earth. I tell myself that this is not fear, that it is honest risk assessment. But if I only learn the difference ex post facto, did I ever?

Notice how I used “ex post facto”? Am I cool or what? Notice how I called myself both ugly and pretty in separate paragraphs, as though trying to split the difference between humility and confidence? Do I want to eat my cake and have it too or what? Notice how I’m doing a weird fourth wall break here, as though to speak directly to you, yes, to you? Yes, yes, you, you?

I come back after two weeks to practice and when I half-bow through the door after the flight of stairs, I am shocked to see the relief on Alvin’s face. Tossing and turning in the night, I’d told myself he would not notice I was gone. Tossing and turning in the current, I’d told myself he didn’t care enough to notice. In the long summer of the opening door, I finally catch that wave. The water surges and pulls me in, but I wash up on the sand, greenish spit across my smile, sparkling foam on all my limbs. In the end, as always, the only one I was fooling across the table was myself. I wake up at four in the morning again, after fourteen days of perfect sleep, and I think, yes, there it is. I was never where I went. I was always here, embedded in a glittering lucky prism I do not deserve and cannot really understand, but where I am wanted, yes, where I am wanted.

Ars nova, ars subtilior

You don’t know what to say to me. You don’t know what I’ll understand. And if you do say something, you don’t know how I’ll take it. So you say nothing. You decide it’s not worth the risk. Your mood changes like moonrise over dirty latitude. You raise a blade. You tighten your grip on an edge hard as unreturned love. You didn’t expect that when I resurfaced, I’d be smiling through wet hair. You got me good there, then you got me bad. But though I blow you off, it’s all pretend. I pray for you to land your gaze on me like a rocket ship, settling into the red dust of a ridge on an aching planet. But when the astronaut radios back to Houston, Houston says, go fuck yourself. Cut the bullshit. Drop the line. Oh, judge me all you like. Old habits, new passions. Stigmata freckling my torso like stars, wheeling. Punish me all you like, with everything you say and don’t.

You don’t know why I am the way that I am. You don’t know what I’ll misunderstand. And if you do try to get through to me, you don’t know how I’ll take it. So you do nothing. You tell everyone what you think you know about me. You try to protect me, or is that wishful thinking? I giggle like an idiot, my mind barking like a panicked dog in the backroom. I couldn’t grant you the satisfaction of knowing me even if I wanted. Let’s play a different game, then. Stop examining me; the body comes off the stretcher, grabs your wrist and shoulder. What are you? Who are you? When your mask comes up, stiff as I am soft on you, where do you go? Tell me everything, damn. Play me a piece of unsubtle music. I will cease my circling and, like a tame beast, come to sit in your lap. Then, like a bride, I will bite your face off. Last of the good ones. First of the bad.

Wounded by a good friend

Feeling, today, the mediocrities of my life press down hard on me, crushed flakes of butterfly between pages of leatherbound. Feeling, today, like I am boring and predictable, that is, the fate expected for everyone, except for me. See how deep my ego runs? At least I’m honest about it? Or am I? Don’t believe everything I write. I sure don’t.

In the shadow of a man, in the shadow of a tower, in the shadow of a misunderstanding. Trying to be sincere, but not too sincere, you know? I know that would only push you away. Trying to be cool, but not too cool, you know? I know that would only pull you in and I shudder to think at the things you could see, at such close distance. The self-pity like a twinkle in my eye.

Always on my own, and always fighting with myself. Lying in bed, wounding the same place over and over. Break a bone and then break it again, because it’s easier the second time. Cross a line and watch it blur to nothing. Do I have a body, or only its iterations, shaking to life every half past eight and bleeding out at four in the morning, forty minutes before the pink light, that first filter. Slouching to the breakfast table to see your letter against the butter knife. Oh, please invite me to dine so I can shudder with the pleasure of rejecting your offer. Rejection runs deep in me. Every individual layer of blood and tissue, I have already examined threefold, in search of the tendernesses of the spirit. Everything I’m not satisfied with, I chuck out; the pile could rival Mount Olympus. I see you run to try to save the pieces. I reject you, and them, again. It’s a futile quest. The more you insist, the bigger the thrill from pushing you away. Laws of physics, baby. You throw up your hands. You think only a higher power could get through to me. But there is nothing any god could grant me that would restore dignity to the flesh that I myself have scrapped for the fire.

All this anger but if you met me, you’d find me boring. You’d see me smile like a child and see nothing or, worse still, see everything. I look up “how to get a powerful kick,” over and over, in different variations, fishing for another result. Opening the fridge and summoning only my own purpling head on a bed of lettuce and radishes.

Cry, baby

Thank you, velvet ribbon of time, for finally ending April; I cry more in that month than in any other, and it is piteous, and awkward, and a defeat for all of my senses. Cruel month for a cruel girl in a cruel world. Walking beside the tall wire fence between the dirt path and the diamond, the whip-like crack of the cowhide is like a petal drifting through the air. I pause there, held fast, sneakered toes against the wet grass, hearing the scattered noise from the game. Did you know that here, in this exact spot, two-hundred years ago, the lord commanded his servants to plant a tidy square of purple-and-white irises?

The key to the hydraulic press in my torso gives its regular turn. There’s a breeze coming off the river below and because only it sees my face, only it knows I am a coward. Oh, clearer waters, be tender rather than fair. I stand on the castle walls, bleeding like a stuck pig. I sow dissent now but when the soldiers return, a bannered column at the foot of the mountain, I will say anything if it means I will keep my life. I will cry blood and then toe the line with the passion of a martyr’s best and most idiotic disciple. Is there anything worse than a changeable mind? Lanterns floating in the fog just before midnight. The swallows, insufferable in their cherubic beauty, in their precise and carefree flight. For the first time in a long time, all my dreams are bloody. I wake with the guilt like tartar on my gumline. Some things, even the holy powers of the tenderest river will refuse to cleanse.

This site needs JavaScript like I need a hole in the head. I play stupid games, like watching the sunlight glaze the rice fields from the airplane until my corneas burn, breaking my own heart over and over. I fantasize about everything that feels like it could be third nature. Good, bad, and some third thing? Right, wrong, but some third thing? Spared you, during the last afternoon of our sparring, just to then feel your fist like a hammer against my C7 when my back was turned. But how I can be angry when your only crime is to have interpreted the signs correctly? I did not hurt you, though we both knew I could, and you recognized that this restraint was nothing but the mask, sword and robes of pity. Yes, fine. I could put on that red sackcloth and sermonize for hours about it. Don’t try me. Don’t test me. I’ve won this game before and all it took was the full betrayal and destruction of myself, plus everything I presumed to call a principle of the faith. I would do it again for even the smallest and meanest prize.

Stitched ball arcing through the air. Swallow in its nest of muddy gray pellets and curly hair. I still remember being a young girl in the security line, shoulders hunched from the weight of my carry-on, mouth dry and tongue burned, face set forward like a flag. Crossing through the gates, walking stiffly through the scanner, collecting my bag and my ticket at the other end, tears standing at attention in my eyes. A ribbon in my ponytail. A broken stem in a field of irises. “It’s okay,” I told myself then,  “You won’t always be alone.” How could I know then that the division was inside me already? That even at my best, it could not be avoided—I was born severed? Oh but back then, I expected to come home someday. I thought that this was everyone’s destiny, even those of us who are cowards, soldiers, priests, or all of the above. I didn’t know then that no matter where I was, no matter where I went, no matter what I had or didn’t, one part of me would forever be a stranger to the rest.